In this we will talk about Saand ki aankh Full Movie Download in detail.
Saand ki aankh movie produced by Anurag Kashyap, Nidhi Parmar and Reliance Entertainment directed by Tushar Hiranandani. The film was released on 25 October 2019. Saand ki aankh movie box office collection is 30.7 crore.
Taapsee Pannu – Prakashi Tomar
Bhumi Pednekar – Chandro Tomar
Kuldeep Sareen – Bhanwan Singh Tomar
Prakash Jha – Rattan Singh Tomar
Yogendra Vikram Singh – young Rattan Singh Tomar
Ronak Bhinder – young Bhanwar Singh Tomar
Amol Nikhare – Young Jai Singh Tomar
Pawan Chopra – Jai Singh Tomar
Vineet Kumar Singh – Dr. Yashpal
Yudhvir Ahlawat – Young Rambir Tomar
Navneet Srivastava – Farooq
Shaad Randhawa – Rambir Tomar
Pritha Bakshi – Seema Tomar
Sara Arjun – Shefali Tomar
Himanshu Sharma – Sachin Tomar
Kavita Vaid – Bimla Tomar
Trupti Khamkhar – young Bimla Tomar
Nikhat Khan – Maharani Mahendra Kumari
Dinesh Mohan – Maharaja of Alwar
The biographical picture traces a specific portion of the lifestyles of India’s earliest sharpshooters, Prakashi Tomar and Chandro Tomar, which also leaves us with an inspirational message.
They do not agree with it or enjoy it, but they’re conditioned to put up with this, but at precisely the exact same time, the women find their own little leaks to keep themselves moving. In age 60, both senior citizens, who reside at Johri village (Uttar Pradesh), using their huge family, inadvertently discover they have a flair for shooting. With some help from doctor-turned-shooting teacher Dr Yashpal, that puts up a shooting range from the village, they all engage in a variety of competitions and win awards. While they’re busy honing their abilities, the guys in their home are unaware to the newest happenings in the lives of those women. But a twist in the narrative leads them to deliver a halt to the hide-and-seek, and confront the men at the clan head-on.
At the start of the movie, manager Tushar Hiranandani sets the point, giving the viewers a glimpse of a family, where a female’s identity is dependent upon the color of the dupatta she curtains. At a spectacle, Bhumi describes to some newly-wed Taapsee the girls of the home stick to sporting a’ghunghat’ of a particular color as it helps prevent confusion among the guys in the home.
Bhumi and Taapsee have been in fantastic shape as grandmothers, that would like to do anything to inspire and assist their granddaughters. Both leading women carry the film on their shoulders smoothly. Their indomitable spirit shines through when the going gets rough. Whether it’s sipping on a lot of glasses of champagne or standing up when they’re bullied by a lot of teens, both walk the street hand-in-hand and end up being both capable. In some locations, Taapsee steals a border over Bhumi, but the latter immediately makes up for this. Filmmaker Prakash Jha, that turns antagonist here, does a fantastic job and is threatening enough to evoke fear and contempt. It is a fantastic thing that the dialogues are not preachy, but there is nothing memorable about these.
The silver stripes in top ladies’ rough and hair make-up is an eyesore. It is to Bhumi and Taapsee’s credit they overcome this barrier and get one to look beyond it. Even though there’s absolutely no doubt that this can be an inspirational narrative, it meanders a little too long at the first half of the movie, before locating a steady floor. A tighter edit could have left it a far more gripping watch. The story also stumbles somewhat once the match of hide-and-seek between both daadis and their loved ones begins getting somewhat repetitive. Fortunately, the manager flows that snare soon and puts things in motion once both big face-offs from the film unfold. The characterization appears to be unidimensional; you will find just four great guys and no mean girls in this particular tale.